![]() ![]() 1 on the Billboard 200 chart, dislodging the ubiquitous soundtrack to James Cameron’s film Titanic, a slot it had held for four months.) (It’s almost amusing to go back and realize, through reports at the time, that Streets debuted at No. If Dreaming announced the arrival of a nearly fully formed new rock band to the world, and Crash found a near-ideal balance between the studio and the stage, Streets took all of it up a notch, and found the artistic riches in grappling with complex emotions within the context of rock songs that, then as now, feel like little else in heavy rotation. (The band’s 10th studio album, the John Alagia-produced Walk Around the Moon, drops May 19.) The record, which marks its 25th anniversary on April 28, endures as the band’s masterpiece, using its predecessors (1994’s Under the Table and Dreaming and 1996’s Crash) as a springboard to a project more musically sophisticated, thematically rich and emotionally charged than any album the band has subsequently released. After all, this is a band that opened its major label debut with a joyous song titled “The Best of What’s Around.”īut in music, as in life, things are most interesting when there’s tension - in this case, between the dark and the light - and nowhere is that tension more evident, or more rewarding, than on Dave Matthews Band’s third studio album, 1998’s Before These Crowded Streets. "Dark" is not necessarily the first descriptor that springs to mind when considering the Dave Matthews Band.
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